Thursday, October 6, 2016
I'm calling it a secret project because I don't want to reveal too many details in case the receiver of this gift reads this blog! :) I'm working on a beautiful DMC gold mesh for the first time ever (which I received from the lovely people at DMC). It has been a bit of a challenge to stitch on, but remarkably well-suited to stitches like couching and split stitch, with which I worked that nice "L".
Mostly, this transparent surface has taught me the value of keeping the back of my work nice and neat (something I'll admit I've never fussed about before).
Once again, I have found Mary Corbet's Needle n' Thread posts invaluable in learning tips and tricks. This post on lettering in particular helped me moved away from messy knots on the back of my work.
Here are the threads I've chosen for my secret project - all DMC, with the exception of the one Nun's Boilproof skein (which I haven't used yet, but is there for its vintage prettiness). :)
It's been wonderful fun so far, and I'll reveal the results to you next week! :)
Wednesday, September 28, 2016
After many hours of stitching and imagining and re-tracing, I am done! This project was one of the most fun I've ever attempted - I think part of it was all the encouragement I received on Instagram that kept me plugging along week after week.
I finished the back as neatly as possible, but I purposely made the stitches a bit long and loose, in case the back ever needs to be removed for repair or to re-stretch the embroidery.
I won't lie, I struggled a bit with the tiny date - I re-stitched it countless times, but I like this simple, very small, un-fussy version. I used DMC gold thread, just one strand for the date.
Overall, this is one of the projects I am most happy with - a real pleasure to stitch. I expanded my stitch library and used stitches in ways I hadn't before - it was well worth the extra challenge. I'll have a review as soon as possible up on Feeling Stitchy - which I'll link to from here, of course, if you'd like to see it! :)
Friday, September 16, 2016
I'm almost finished and I have to say I am really happy with this project. Up above, you see my progress with adding initials in the center.
I stitched the berries using 1 strand of DMC rayon floss in a shiny copper color - 30434 - Sepia Brown.
The finished berries - I love the sheen.
Next, I finished up the back - I drew up the excess linen in the back using a loose running stitch. Then I cut a circle of interfacing and stitched some navy linen onto it...
Here's what I hope the finished back will look like - nice and neat!
I braided some gold floss together to give the hoop something nice to hang from...
Apologies for the last few photos, they were taken in the middle of some late-night crafting, and my cell camera is very odd in low light.
But there's my progress so far! I'll get some proper photos before I give the hoop away, and share those and a book review on Feeling Stitchy very soon!
Tuesday, August 30, 2016
After all the chalk marks on my navy blue linen faded, I decided to try stitching on tracing paper.
I was curious to see how much I'd departed from the original - I'd just been eyeballing everything as I stitched...
Looks like I make things bigger when eyeballing the pattern... I didn't stress, because I'm not aiming for an exact reproduction.
I stitched over the tracing paper on a big french knot dandelion - I was inspired by this great tutorial by Mary Corbet on Needle n Thread. By the way, I'm really enjoying stitching with that Nun's Boilproof vintage floss.
Next I couched the dandelion stems, using more Nun's Boilproof vintage floss.
Here's the finished Dandelion - the tracing paper did help me stitch those knots more carefully. The only drawback was of course, when I removed the tracing paper, several knots were pulled.
I think I'll do a combination of tracing paper and just eyeballing for the rest of the dandelions.
I tried some Pearlescent Effects floss on the French knots in the center of that large white flower. The texture is really rough, and it's not French-knot friendly, but it has a nice icy, iridescent look:
Next, I added a line of gold metallic DMC floss, couched around the flower center:
Here's all my progress so far - I'm still deciding if I'll add the berries.
Any thoughts on the tracing paper or Pearlescent floss? I'm curious if any of you have tried either!
Friday, August 26, 2016
I'm having a great time progressing on this project - I'm embroidering a version of The Winter Wreath from Kazuko Aoki's book, The Embroidered Garden.
Up above is a closeup of one of the large white flowers. It's all done in split stitch, which is very-time consuming, but I do like the texture. Oh, and tons of little french knots in the center. The stems are two strands of vintage Nun's Boilproof floss, couched with a thin white sewing thread.
Here's a small woven wheel rose, and the round flowers made up of french knots - shall we call them dandelions? I'm least confident about my stitching on those, but we'll see how it progresses...
Another large white flower and a large woven wheel rose. The rose stems are couched gold DMC embroidery floss.
I took this project outside and was delighted by how much better it looks in the light - it really captures the detail more.
I opened an Instagram account of my own this week - follow me @nyfloresita if you like! I also post on the Feeling Stitchy account to promote Feeling Stitchy blog posts, and Amy posts on Fridays.
Monday, August 22, 2016
I've been remiss in doing a book review for Feeling Stitchy for a gorgeous book by Kazuko Aoki, The Embroidered Garden. I received the book some time ago from the publisher, and I finally got to work this weekend, gathering materials, and doing some planning and stitching. I chose the "Winter" wreath, which I intend to interpret freely, choosing my own fabrics and threads.
By the way, the book link takes you to Amazon, and contains code for the Feeling Stitchy Amazon account - if you buy a book through that link, we receive money in our account which is used to fund more giveaways and reviews on Feeling Stitchy. If you do buy there, thank you! If not, no worries! :)
My first step was choosing a fabric - and I was delighted to find a beautiful navy blue linen in my mother's fabric stash. I loved the idea of a strong contrast with the white flowers.
Next, I chose a handful of threads - my goal in this project is to buy nothing new, and use up some of my prodigious thread stash. :)
The final project will be a wedding gift, so I wanted to work in the wedding colors, one of which is gold. I had some beautiful DMC gold thread and gold metallic floss. I also had two skeins of super-shiny DMC rayon floss in a copper and darker brown shade that I wanted to use. Added to that were some off-white shades of 6 strand DMC floss, and some vintage threads I was gifted YEARS ago. :)
I traced the image directly from the photo in the book. I didn't focus on details, but just a general idea, and replaced the large green ivy leaves with circles for white roses.
Once I had my finished design, I used white carbon paper to transfer the image. The resulting image was very faint, so I traced over the white lines in a yellow Clover chalk pencil.
I first stitched the branches with a combination of regular DMC floss, and couched lines of rayon floss, which gave the branches a really pretty sheen in the light.
I was fascinated by the two Nun's Boilproof skeins I had - they look like a very thin perle cotton, but are SO very soft to the touch. They piqued my curiosity and I found this blog post about them.
Here it was after at least 12 hours of stitching. The filling for the large white flower was the most time-consuming - tiny split stitch, using 3 strands of floss, but it was worth it - the texture is so nice!
Next, I added french knots to the center of the large white flower, a large white rose, gold stems for the roses, and couched gold strands throughout the branches.
Here's a sideview of the work so far, which shows off the rayon threads and texture pretty nicely:
This project was slow to start, and a little intimidating, but I am enjoying it so far! What do you think?
Wednesday, August 3, 2016
As much as I love my fancy camera (what I call my Canon DSLR) I struggle when taking photos of embroidery. My first love was point-and-shoot cameras, and I long for them whenever I have a detailed embroidery photo to take.
The photos above and below were taken with my phone camera, which I've found works better for me at times than my DSLR.
I recently did a review of Coloris floss for Feeling Stitchy, and the biggest challenge was photographing the beautiful rainbow of shades in the flosses. My DSLR is capable of so much more than a phone camera, but you really have to know what you're doing. It's frustrating not to be able to pop it in "Auto" mode like a point-and-shoot and get lots of crisp, detailed, bright shots without any effort.
Here is a photo from my DSLR - it has all the detail I want, but it took so much work - I had to put the camera in Manual mode, carefully light the scene, then color-correct in Photoshop, and I'll admit I'm still not 100% happy with it. I feel like it's just... missing something.
Here's another from my DSLR:
And one more from the phone camera:
Does anybody else struggle with photographing their embroidery?
Wednesday, May 11, 2016
It takes a bit of work and tweaking with actions in Photoshop, but the old camera produces some nice shots.
I find the key is never to take a photo in an ISO higher than 400 for this camera, and to only take photos in bright light. It just gets too grainy to use, otherwise.
I'm pretty pleased with the amount of detail I can capture from a distance - this was shot from an open car window, and a good distance away.
Up close shots like the sparrow above are pretty nice, but look better with a bit of sharpening and tweaking.
This thistle was another one captured a fair distance away.
Overall, it's been fun playing with this old little gem.
Tuesday, May 3, 2016
It is quite nice to finally be done with a project - this was a nice cross stitch from a free pattern - just complex enough to take me more than a week to stitch, but simple enough that I couldn't get discouraged or bored.
I'd say this is a perfect cross stitch for a beginner who is looking for a new challenge. Much appreciation to the creator, F.P. Molina who did a great job with this one. If you're into knitting, there's a knitted chart up for grabs, too.
I subbed a few colors I didn't have on hand, for something close (the orange, the blue, the darker flesh tone, and the pink on the mouth). The rest of the colors are from the pattern. Great fun, and the person who received it loved it.
Free pattern from F.P. Molina